#Alexandre hairstyle

[tina-aumont]

Harper's Bazaar October 1972 "The Couture by Night" Photographer: Hiro Featuring: Tina Aumont

The Fashion Spot

[gracie-bird]

Princess Grace at a gala evening in Monaco, 1967.

[chicinsilk]

Hairstyle trends Spring/Summer 1971

Alexandre de Paris.

Photo Roland Bianchini

[jeanhuguesanglade]

Jean-Hugues Anglade photographed by Alexandre Alé De Basseville (~2000/2001)

[darklinggalleg0s]

Did you guys know about Russian Kerry Eurodyne? I honestly believe someone from CD Projekt Red used him as a reference for both Kerry's versions, LMAO. He has the same expression in his BLUE eyes as Mr. Eurodyne, moreover, he had the same hairstyle as Kerry right when Cyberpunk was in production!

+ An older version of him from a "Phantom Liberty" DLC, lol.

His name is Alexandr Rogov and he's a quite famous stylist and fashion designer. Of course, he's older now, but I still think he's hot ;)

[kaneni09]

TFA - TLJ - TROS

I honestly have no idea what the story of the Galactic Starcruiser is supposed to be, I've looked all over the interwebs and still nothing, so if anyone is aware of how this connects to the sequels please let me know. 

All I know is that there's a moment where Rey and Kylo Ren meet again after the battle on crait and have another duel. This has spawned many fun interpretations from the fans of how these events occur.

I took this as a chance to have fun and give Rey some star wars couture. Being the fashion nerd I am I already had a plethora of Rey style dresses for the formal occasion some range from trying to blend in with the first order crowd, being very obvious that she's a Jedi intruder and the rest are just me having fun.

I also tried to make it so the dress could also be fought in during her duel so, lot's of leg slits. And we can't forget the crazy hairstyles, the one at the top is probably my favourite.

Again feel free to give your two cents of which dress fits best for the Halcyon scenario. 

Below is a list of all the dress designers as well as a little moodboard I made for the funsies. 🤩

Shoes: Alexandre Vauthier - Spring/Summer 2022 Couture

Dress 1: Bronx & Banco - Spring/Summer 2022

Dress 2: ( couldn’t find the original image I used)

Dress 3: ???

Dress 4: Giambattista Valli - Spring/Summer 2023

Dress 5: Georges Hobeika - Fall/Winter 2022

Dress 6: GUCCI - Spring/Summer RTW 2022

Dress 7: Paolo Sebastian - The Wild Swans

Dress 8: FOUAD SARKIS - Spring/Summer RTW 2022

Dress 9: Bronx & Banco - Fall/Winter RTW 2022

Dress 10: ALEXIS MABILLE - Couture Spring/Summer 2022

[rhianna]

François Dumont - Portrait of Mademoiselle Marie-Anne Adelaide Le Normand - 1921.911 - Cleveland Museum of Art

Mademoiselle Marie-Anne Adelaide Le Normand, a famous Parisian fortune teller, was born in Alençon, France, between 1768 and 1772. Little is known of her early years, but by 1790 she had already established a strong following in Paris. Fortune telling was a highly lucrative field perhaps due to the extreme political unrest that permeated Paris in the 1790s. Although the practice of fortune telling was illegal at the time, people from the highest social classes sought Le Normand's services. She prophesied the bloody deaths of the French revolutionaries Maximilien Robespierre, Louis Antoine de Saint-Just, and Jean-Paul Marat when they visited her salon. Additionally, Alexandre Dumas was one of many to describe Le Normand's prediction of the monumental rise and fall of both Napoleon and his wife Josephine, who visited Le Normand's studio frequently. The fortune teller managed to retain her popularity through the Napoleonic era and the reign of King Charles X before retiring from Parisian life after correctly foretelling the outcome of the July Revolution in 1830. She moved back to Alençon and continued writing books of predictions until her death in 1843. Her greatest tangible legacy is a set of tarot cards known as the Blue Owl deck or Le Grand Jeu de Mlle. Le Normand. Grimaud, a self-proclaimed pupil of Le Normand, published the deck two years after her death. The accounts of Le Normand's physical appearance and her studio are almost as colorful as her predictions, and perhaps equally disputable. A description published in the late 1850s reported how "some thirty or forty volumes were arranged on the shelf against the wall, chiefly consisting of the works of the lady herself . . . Mademoiselle soon made her appearance-a short, fat little woman, with a ruddy face, overshadowed by the abundant curls of a flaxen wig, and surmounted by a semi-oriental turban, the rest of her attire being much in the style of a butter woman." Captain Rees Howell Gronow visited Le Normand between 1814 and 1830 and published his account in a book of recollections in 1865: "It was impossible for imagination to conceive a more hideous being. She looked like a monstrous toad, bloated and venomous. She had one walleye, but the other was a piercer. She wore a fur cap upon her head, from beneath which she glared out upon her horrified visitors. The walls of the room were covered with huge bats, nailed by their wings to the ceiling, stuffed owls, cabalistic signs, skeletons-in short, everything that was likely to impress a weak or superstitious mind." In "The Court of Napoleon," Frank Boot Goodrich noted that Le Normand's studio featured miniature portraits of the various rulers she patronized as well as a miniature of herself painted by Jean-Baptiste Isabey, court painter to Napoleon. The Cleveland Museum of Art's miniature does not reflect Le Normand's mythically monstrous appearance. She was in her early twenties when this miniature was painted. Perhaps the fortune teller chose François Dumont as the artist because he had recently produced several portraits of Marie-Antoinette, whom Le Normand admired greatly. Her dress and hairstyle here are reminiscent of the queen's in Dumont's 1792 portrait of her. A student of Jean Girardet, Dumont was one of the most exclusive French miniature painters of the late 18th and early 19th centuries and rendered many of the elite subjects of Le Normand's predictions; even if Dumont himself found no use for the prophetess's services, they certainly relied on similar clientele for their prosperity. The artist's inclusion of an owl eating a moth makes the CMA's miniature unusual. The owl often represents wisdom and was the companion of the ancient Greek goddess Athena. The ancient Romans were among many cultures to associate the nocturnal owl with the ability to predict death; even William Shakespeare called the bird of prey a "fatal bellman" in his play "Macbeth". These darker aspects of the owl make it an appropriate companion for Le Normand, who foretold the deaths of so many. Ashley Bartman (May 2014)

This all is from Wikimedia Commons

[maralbeauty]

Fashion Week August Couture 2024, Maison Margiela brand

On Thursday night, the unique show of the Maison Margiela brand was held at the last show of Paris Couture Fashion Week 2024, and this week ended with great grandeur under the heavy rain. John Galliano, the brand's creative director, presented a theatrical masterpiece that combined fashion, art and drama. Everything about this show was unique and scary at the same time: from the venue, which was a creepy underground bar under the Pont Alexandre III bridge, to the clothes, hairstyles, thick and oily makeup, and even the way the models walked, reminiscent of dolls. Cookie was possessed. The venue was littered with broken plates, dirty glasses and spent drinks, symbolically depicting 3am. The invitation to this show was a subway ticket, and famous guests such as Kim Kardashian and Kylie Jenner also sat in the first row of this show.

[fancyschmancyopinions]

MADELYN CLINE promoting “Glass Onion: A Knives Out Mystery” at “The Tonight Show with Jimmy Fallon” on November 23rd 2022 wearing ALEXANDRE VAUTHIER

I’m just borderline obsessed with Madelyn. She can do no wrong in my eyes. She always usually manages to chose some cool and interesting looks.

I love the green color of this dress. It’s unexpected and honestly looks great with Madelyn’s coloring. The matching boots really enhanced the outfit. I also loved her hairstyle. Just another superb look from her.

[modorama]

fashion |  DES CHEVEUX ET DES POILS at MAD Paris

   Following the success of the exhibitions La mécanique des dessous (2013), Tenue correcte exigée ! (2017) and Marche et démarche (2019), the Musée des Arts Décoratifs continues its exploration of the relationship between the body and fashion with an exhibition on hair styles and body hair grooming. Des cheveux et des poils (Hair & Hairs) exhibition, which runs from April 5 to September 17, 2023, demonstrates how hairstyles and the grooming of human hair have contributed to the construction of appearances for centuries. Hair is an essential aspect of one’s identity and has often been used as a means of expressing our adherence to a fashion, a conviction, or a protest while invoking much deeper meanings such as femininity, virility, and negligence, to name just a few.

The exhibition explores through 600 works, from the 15th century to nowadays, the themes inherent in the history of hairstyles, but also the questions related to facial and bodily hair. The trades and skills of yesterday and today are highlighted with their iconic figures: Léonard Autier (favorite hairdresser of Marie- Antoinette), Monsieur Antoine, the Carita sisters, Alexandre de Paris, and more recently studio hairdressers. Great names in contemporary fashion such as Alexander McQueen, Martin Margiela, or Josephus Thimister are present with their spectacular creations made from this unique material that is hair.

The exhibition is presented in the Christine & Stephen A. Schwarzman’s fashion galleries of the Musée des Arts Décoratifs. The scenography will be created by David Lebreton of the Designers Unit agency.

In an atmosphere where shades of blond, brown and red evoke the main hair colors, the course, divided into five themes, questions what makes hair, in Greek- Roman and Judeo-Christian cultures, an attribute of the animal and wildness and explains why hair had to be constantly tamed to remove the woman or man from the beast.

FASHION AND EXTRAVAGANCE

The first part of the exhibition opens with the study of the evolution of feminine hairstyles, a real social indicator and marker of identity. In the Middle Ages, obeying the command of Saint Paul, the wearing of the veil imposes itself on women until the 15th century. Gradually, they abandon it in favor of extravagant hairstyles that are constantly renewed. In the 17th century, the hairstyle “to the Hurluberlu” (dear to Madame de Sévigné) and “to the Fontange” (after the name of Louis XIV’s mistress) are emblematic of real fashion phenomena.

Around 1770, the high hairstyles known as Poufs are undoubtedly the most extraordinary of Western hair modes. Finally, in the 19th century, women’s hairstyles − whether inspired by ancient Greece, or known as “the giraffe,” in curls or “the Pompadour” − are just as convoluted.

TO BEARD OR NOT TO BEARD

After the hairless faces of the Middle Ages, a turning point occurred around 1520 with the appearance of the beard, symbol of courage and strength. In the early 16th century, the three great Western monarchs: Francis I, Henry VIII, and Charles V were young and wore beards, which were then associated with the virile and warrior spirit. From the 1630s until the end of the 18th century, the hairless face and the wig were the hallmarks of courtiers. Facial hair did not reappear until the early 19th century with the mustache, sideburns, and beard: this century was by far the hairiest in the history of men’s fashion. A multitude of small objects used (mustache wax, brushes, curling irons, wax, etc.) testify to this enthusiasm for mustaches and beards.

During the 20th century, the rhythm of bearded, mustached, and smooth faces continued, until the return of the beard among Hipsters in the late 1990s. The maintenance of hairiness among these young urbanites has given rise to the profession of barber, which had disappeared since the 1950s. Today, the thick beards tend to give way to the mustache that had deserted faces since the 1970s.

The choice of keeping, eliminating, hiding, or displaying hair on other parts of the body is also a subject of history that the exhibition addresses through the representation of nude bodies in visual arts and written testimonials. Hairiness is rare, or even absent from ancient painting. The hairless body is synonymous with the antique and idealized body, while the hairy body is associated with virility, or even triviality. Only enthusiasts of virile sports such as boxing and rugby, as well as erotic illustrations or medical engravings, show individuals covered in hair.

Around 1910-1920, when women’s bodies were exposed, advertisements in magazines touted the benefits of hair removal creams and more efficient razors to eliminate them.

In 1972, actor Burt Reynolds posed naked, hairy body for Cosmopolitan magazine, but fifty years later, an abundance of hair is no longer in fashion. Since 2001, sportsmen being photographed naked for calendars like Les dieux du stade (The Gods of the Stadium) have had rigorously controlled hairiness.

BETWEEN TRUE AND FALSE

Hair styling is an intimate act. Moreover, a well-born lady could not show herself in public with her hair down. A painting by Franz-Xaver Winterhalter, dated 1864, depicting Empress Sissi in a robe and with her hair untied, was strictly reserved for Franz Joseph’s private cabinet. Louis XIV, who became bald at a very young age, adopted the so-called “bright hair” wig, which he then imposed on the court.

In the 20th century, Andy Warhol had the same misfortune: the wig he wore to hide his baldness became an icon of the artist. Nowadays, hairpieces and wigs are used in high fashion, during fashion shows or, of course, to compensate for hair loss.

The natural hair colors and their symbolism are studied along with what they convey. Blonde is said to be the color of women and childhood. Red hair is attributed to sultry women, witches and some famous stage women. As for black hair, it would betray the temperament of brown and brunettes. From the experimental colorations of the 19th century to the more certain dyes from the 1920s: artificial colors are not forgotten. The work of the hairdresser Alexis Ferrer who makes digital prints on real hair is also presented.

TRADES AND SKILLS

The exhibition reveals the different hair professions: barbers, barber-surgeons, hair stylists, wigmakers, ladies’ hairdressers, etc., through archival documents and a host of small objects: signs, tools, various products, and the astonishing perming machines and dryers of the 1920s.

In 1945, the creation of haute coiffure elevated the profession to the rank of an artistic discipline and a French savoir-faire. 20th century hairdressing is marked by Guillaume, Antoine, Rosy and Maria Carita, Alexandre de Paris styling princesses and celebrities. Nowadays, great hairstyling is mainly expressed during the fashion shows of prestigious fashion houses. Sam McKnight, Nicolas Jurnjack and Charlie Le Mindu were invited to the exhibition to create extraordinary hairstyles for top models and show business personalities.

A HAIRY CENTURY

Finally, a special focus will allow us to evoke the iconic hairstyles of the 20th and 21st centuries: the 1900 chignon, the 1920s garçonne haircut, the 1930s permed and notched hair, the 1960s pixie and sauerkraut, the 1970s long hair, the 1980s voluminous hairstyles, the 1990s gradations and blond streaks, not to mention afro-textured hair.

The arrangement of hair in a particular form can reveal the belonging to a group and manifest a political and cultural expression in opposition to society and the established order. More ideological than aesthetic, the Iroquois crest of the punks, the neglected hair of the grunges or the shaved heads of the skinheads are strong moments of hair creativities.

Wearing the hair of another, known or unknown, has an eerie dimension, and this superstition seems well-entrenched. Despite these apprehensions, some creators choose to transcend this familiar material into fashion objects. This is the case of contemporary designers such as Martin Margiela, Josephus Thimister and Jeanne Vicerial. The question of identity, treated lightly or more deeply, is often at the heart of the reasoning, whether the hair is real or fake.

The Musée des Arts Décoratifs has benefited from exceptional loans from the Château de Versailles, the Musée des Beaux-Arts d’Orléans, the Musée du Louvre and the Musée d’Orsay. till 17 sept. 2023 madparis.fr Andrei S.

[unisinogroup]

Hair Dryer Distress

The hair has so important to the appearance of the face that the elegance of a woman's hair and the resemblance of a man's face are largely dependent on its style. ~ Auguste Alexandre Philippe Charles Blanc (1813-1882), Art in Ornament and Dress. This is a fact and hair dryers are the most essential tool in the wardrobe of every girl. If you're not satisfied with your hair dryer then this is your ultimate guide to solving all of your problems with hair dryers.

In a perfect world , we would all have hair that is perfect as the supermodels do all the time. For the majority of us, it's an enormous amount of work to use our hair dryers , so it's crucial to use the correct one. There are many different heat tools available. designed equal, and it's often easy to figure out which one is suitable for blow-drying and which could harm your hair. What can you tell whether your hair needs an ion or tourmaline? Which one will provide you with the quantity you need? I've Good figure out the most important questions you'll be asking yourself based on my decades of experience dealing with the good as well as the ugly.

You can call it either blower, hair. As with most of us, I believed that an essential item in the dresser such as blow-dryers are easy to buy from the supermarket. I did not realize that my decision would result in the lack of blow-out options, and not ever that gorgeous hairstyle that you can get at the saloon. This was the beginning of my search of the questions might also be on your mind -

How can I achieve the flawless hair in my home like I can get in the saloon?

Is there a particular kind of hair dryer that is suited to my type of hair?

Does hair dryer does damage to my hair?

Are heat protection serum important?

Do I need to use an iron or curler instead of a straightener?

I will try my best to guide you in the right direction. assist you by writing thorough reviews and guides on how to choose the ideal dryer. I do not allow you to make the same mistakes that could cause you to be in a mess.

In the sense that technology and science have been around for a long time there are many stories from time about how people in earlier times tried to come up with new methods for dry and plaiting their hair. One of the most famous was the idea of trying to dry the hair with hot coals inside an unintentional hair dryer!

Today, we do not have to resort to these extreme and dangerous methods. The hair dryer that is powered by electricity is definitely a fantastic invention of the modern age. It was once a simple device to assist in drying out hair that is wet, today, the basic dryer has undergone transformation into a variety of forms from professional to amateur usage, with different various variations in the design and technological.

[gracie-bird]

Princess Grace of Monaco at Marigay Theatre in Paris on Dec. 5, 1968, to attend the gala at the benefit of UNICEF with the premiere of Oliver Twist.

[chicinsilk]

Yves Saint Laurent Haute Couture Collection Fall/Winter 1968-69. Danielle Luquet de Saint Germain wears a black silk slit evening gown. Pumps, Roger Vivier. Hairstyle Alexandre de Paris.

Yves Saint Laurent Collection Haute Couture Automne/Hiver 1968-69. Danielle Luquet de Saint Germain porte une robe du soir fendue en soie noire. Escarpins, Roger Vivier. Coiffure Alexandre de Paris.

Photo Peter Caine

[ektahairpins2]

The Ultimate Guide to Hairpins: From Everyday Styles to Wholesale Options

Introduction

Hairpins have been essential beauty tools for centuries. From securing intricate buns to complementing casual hairstyles, these tiny accessories play a significant role in our daily routines. Whether you're a hairstyling enthusiast or someone looking to purchase in bulk, understanding the types and uses of hairpins can transform your hairstyling game. Let's delve into the world of hairpins and uncover their secrets.

The History of Hairpins

Hairpins date back to ancient civilizations. Egyptians and Greeks adorned their hair with pins made of bone, wood, and precious metals. These were not just functional but also symbols of status and elegance. Fast forward to today, hairpins remain a staple in hairstyling.

Why Hairpins Are a Must-Have

Think of hairpins as the Swiss Army knife of hairstyling. They’re versatile, affordable, and indispensable for securing and styling your hair. Whether you’re heading to a casual brunch or a formal event, hairpins ensure your hairstyle stays flawless.

Types of Hairpins

Bobby Pins

Bobby pins are the unsung heroes of hairstyling. Their tight grip makes them ideal for taming flyaways and securing updos.

U-Shaped Pins

Perfect for buns and voluminous hairstyles, these pins provide a secure hold without flattening your hair.

Decorative Pins

These are more than just functional—they’re statement pieces. Embellished with jewels, pearls, or floral designs, decorative pins add a touch of glamour.

Wholesale Hair Pins: An Overview

Wholesale Hair Pins is cost-effective, especially for salons, event planners, or anyone running a hair accessory business. Wholesale options often provide a wide variety of designs and sizes, catering to different needs.

Choosing High-End Hairpins

Not all hairpins are created equal. High-end hairpins are made with durable materials like stainless steel or gold plating. They’re designed to be both functional and stylish, making them worth the investment.

Benefits of Black Hair Pins

Black hair pins are classic and versatile. They blend seamlessly with most hair colors, making them ideal for subtle and natural looks. Whether you’re securing a bun or a braid, black pins are your go-to.

Hairpins for Casual Hairstyles

Hairpins for Casual Hairstyles doesn’t mean boring. Hairpins can elevate your everyday look. Try using decorative pins to accentuate a simple braid or twist. You’ll be surprised at how a small detail can make a big impact.

How to Use Hair Pins for Buns

hair pins for buns are timeless, but they can be tricky to secure. Here’s a step-by-step guide:

Prep Your Hair: Start with clean, detangled hair.

Create a Bun: Twist your hair into a bun shape.

Secure with U-Pins: Insert the pins at an angle for a firm hold.

Add Decorative Pins: For a touch of elegance, embellish with decorative hairpins.

Styling Tips with Hairpins

Layer Pins: Use multiple pins to create intricate patterns.

Mix and Match: Combine different styles and colors for a unique look.

Focus on Placement: Strategic placement can transform your hairstyle.

Caring for Your Hairpins

To ensure longevity:

Store them in a dry place.

Clean them regularly with a damp cloth.

Avoid exposing them to moisture or chemicals.

Top Brands for Hairpins

Explore brands like Goody, Scunci, and Kitsch for quality hairpins. For luxury options, consider brands like Alexandre de Paris and Jennifer Behr.

Buying Guide for Wholesale Options

When purchasing wholesale:

Assess Quality: Ensure the pins are sturdy and durable.

Check Variety: Look for mixed sets to cater to diverse needs.

Compare Prices: Shop around for the best deals.

Eco-Friendly Hairpins

Sustainability is key. Eco-friendly hairpins made of bamboo or recycled materials are gaining popularity. They’re not just good for the planet but also stylish.

DIY Hairpins: A Creative Approach

Why not make your own hairpins? Use beads, wire, and glue to craft unique designs. It’s a fun way to express your creativity and customize your accessories.

Conclusion

Hairpins are more than just accessories; they’re tools of expression. Whether you’re styling for a casual day out or a special occasion, the right hairpin can make all the difference.

FAQs

1. What are the best hairpins for thick hair? 

U-shaped pins and heavy-duty bobby pins work best for thick hair as they provide a secure hold.

2. How do I choose the right hairpin for my hairstyle? 

Consider the style’s complexity and your hair type. Decorative pins are great for accents, while U-pins are ideal for buns.

3. Can I reuse hairpins? 

Yes, with proper care, hairpins can be reused multiple times.

4. Are wholesale hairpins good quality? 

It depends on the supplier. Look for reputable wholesalers who offer durable and well-made products.

5. How do I clean decorative hairpins? 

Use a soft cloth dampened with water and avoid abrasive cleaners to maintain their finish.

[hncproject]

ᚐ✦⸻ Artist Research - Arcane

"Are we still sisters?" - Jinx

⋆

------------------------------------------------------------------------------

✦⸻ Arcane is one of my favourite shows currently. Not only is it breathtaking in both design and world building aspects, it also tells lore from the game League of Legends, a game I've been playing since I was young.

✧ I think LoL has influence on what type of characters I like. If it influenced my "inner dimension" I think it's mandatory to research it.

✧ I love the concept art, the posters, the themes, the vibes and the story. The concept art is one of the reasons I chose to research Arcane; If I want to make a brand about character design I will need to make concept art of said characters.

⋆ Victor Maury - one of the character designers, who designed Ambessa. more details below

⋆ Alexandre Mahboubi - also one of the character designers

Although Arcane is 3D, The style wouldn't be hard to recreate in 2D, a medium I'm familiar with. I actually took inspiration from the arcane rendering before, making the eyes darker than the rest of the face

(these drawings are from 2 years ago, if I recreated them this year, there would be obvious improvement)

------------------------------------------------------------------------------

✦⸻ Victor Maury - Ambessa's design

✧ Maury designed the character above. I am absolutely in love with her design. Ambessa is known as the matriarch of war, and her clothes perfectly resembles that. Sharp, dangerous edges, lots of gold to show wealth and power, and most importantly, her hair. I can't say it's a hairstyle I've ever seen before. Is it inspired by real war traditions I'm unaware of? or is it completely fantastical? Eitherway, it's very striking. If I saw her in real life, I know I'd be intimidated. Not only is the shape language immaculate in her design, so are the colours. Black, red and gold always look rich and powerful together, and the brown of her shirt helps make her design look more interesting; if it was also black or red, everything would look a little muddy.

------------------------------------------------------------------------------

✧⸻ I'm unaware which designer decided this but Jinx, the character below, has 2 different face rigs. the first is rounder, more innocent, and the other one is more angular and scary. Jinx is a character that has an intense internal struggle, making her dangerous and unpredictable. The different faces allow viewers to distinguish between her moments of clarity and instability.

I am a huge fan of shape language, seeing these two different face rigs and noticing them during the show triggered a visceral reaction.

✦ So, what will I take away from these points?

✧ SHAPE LANGUAGE!!! I mentioned it a few times already but I believe shape language is so incredibly important when making a design. We, as humans, judge everything we see based on appearances, even if we don't realise it. I will have to consider shapes as carefully as arcane artists did.

✧ When making character sheets, I can also take inspiration from the artists above in terms of layout. Arcane character sheets are some of the most simple and effective ones I've seen.

------------------------------------------------------------------------------

[bebethsas]

damn, I had no idea that the 1870s hairstyles (and kinda the 1700s hair too--minus the bouffant) made a brief comeback in the 1990s (but simplified; no complex coils and layers and padding).

Look:

but with the flower crowns/ arches that were all the rage in the 1840s-50s (but worn on top of the head, not:

and

(above) hair crescent

...ok, Beth’s memory apparently SUCKS at remembering this stuff, because she remembered it wrong! Because lol, it looks like we’ve always been into weaving and wearing flower crowns: 

St. Cecelia at the Organ (Onofrio Marinari, c.1686), below:

(Maude Fealy, Victorian/ Edwardian portraits): above

Portrait of a Girl in a Yellow Dress Holding a Bouquet of Flowers, Santi di Tito

The Crowning of Mirtillo, 1650, above

portrait of The Duchess of Abrantes, Goya, 1816 (above)

Rembrandt’s portrait of Flora, Goddess of Spring (above)

Maenad and Cupid, Fresco in Italy, c. 1st Century A.D. (above)

Palaistra scene on a Plate, ~520 - 510 BCE

Young Girl with Flower Garland (Konstantin Yegorovich Makovsky) Regional Art musuem, Gorlovka (above)

The Flower Garland, Waldemar Friedrich

Okay, apparently there’s a LOT of paintings about the Goddess Flora:

Flora, Girolamo Batoni, 1775

Flora, Luca Giordano, 1697

Sir Lawrence Alma-Tadema painted a few picture of ladies in flower crowns, here’s one:

(Summer Offering, 1894)

this pair of portraits by Fragonard (the 1st one is really what I was reminded of by the magazine)

Young Lady with a Garland of Roses Around her Neck

Young Woman with a Garland of Roses (and if anyone asks, that faint pink spot on the left side of her chest is just a discoloration of the painting due to age)

of course, BAMF Artemisia Gentileschi (let me tell you, the only thing ‘gentle’ about her was her name) painted a pic of this too:

almost anything that Botticelli painted, as well as those Victorian portraits where people were obsessed with painting Ancient Greeks, naiads, Romans, etc.

and, of course, cultural Icon Ophelia:

Ophelia, John William Waterhouse, 1894:

John William Waterhouse, Ophelia, 1910 (above)

Alexandre Cabanel, 1883 (above)

And, lest we forget, flower crowns have never solely been a western thing:

The Lei Maker, 1901, Theodore Wores

Hawaiian Lei venders, c.1901

(from Hawai’i State Archive, c.1930s based on other photos)

titled: Cantonese Mandarin and his Wife, c. 1861 - 1864

Hanging Scroll, Ming Dynasty, c.1500s

Two Beauties in a Garden, Gai Qi, Qing Dynasy, Daoguang Period, 1821 - 1850 (side-note, Gai Qi painted literally HUNDREDS of the lovliest paintings of Chinese ladies that I’ve ever *seen*)

Frida Kahlo, self-portrait, 1940

Women with Flowers and Lotus, 18th Dynasty (ok, fine, it looks more like a cord or ribbon with minimal greenery on it, but apparently they did wear flower garlands of lotuses on their heads)

and

Painted Plaster Mummy Mask, Roman Period c. 60 - 70 A.D.

A Lady Holding Two Flower Garlands Attracts Two Peacocks, Mughal Empire (listen, I’m sure there’s artwork out there *somewhere* of folks from India wearing flower garlands on their heads, but I couldn’t find any examples, and I’m tired b/c it took ~3 hours to research what was supposed to be a short little reblog, so I’m settling for this painting.)

In short, if Humans live near large amounts of flowers (that are non-toxic and pretty and easy to harvest), we will learn how to link them on a chain of some kind, and we will wear them around our neck, or on our head.

March 1994. ‘Add a crown of curls and a wreath of fresh flowers for a soft, feminine look that will really turn heads.’